More Charts For The Season of Love

Here are more that I wanted to post, but found that it was frustrating (!) to get the last bunch to line up just right, so I left these out.  Here they are now, but I'm only putting up concert pitch charts this time (ie not tenor sax, trumpet, or various other wind instrument pitched).  As you can easily tell, these are from various other sources (The Real Book, The New Real Book, Guy's charts, the Jamerson transcription looks similar to the Standing in the Shadows of Motown book by Dr. Licks charts, although it has been re-typed in a larger font, etc.).  Hopefully I won't be found guilty of any infringement.  These are the best versions I could find, by the way.  Enjoy!

My Funny Valentine
good alt. chord: Fm7(b5) or Db7(#11) in bar 15 (instead of the Ab-6).
Sarah Vaughan sang it with the Db7 chord.
Many different chord progressions for this song.
Miles played a very popular version (or 2), but his changes are certainly not the typical
chromatic descending bass pattern that is usually employed
(his band would play Ab7 / G7 in bar 2, for example).
Check out his changes vs. Chet Baker's changes here.

Darn That Dream
I know this from Miles' Birth of the Cool
I played this with a guest guitarist last Thursday -
not an easy one to sound good on without a heads up!

My Cherie Amour
Not the original key but who can sing it anyway?

Stevie's Overjoyed
Guy has since gone back to an earlier chart to facilitate solos.

Nice bass transcription for Ain't No Mountain High Enough (the Marvin/Tammy version) - 
only 2 of the 3 pages but the chorus just repeats at the end...
Seriously real bass by James Jamerson - gotta try to use a P-bass
with flatwounds and foam under the strings at the bridge.

Beatle John's In My Life - no keyboard solo transcription but who really wants that?  It was played at half-speed and then sounded faster when played at regular speed.  Great trick and execution by George Martin!